Wes Anderson Just This- Abstracted and Wordless Versions...

So due to the way that the Wes Anderson version of 'It's Just This'  was coloured on the computer (to get those lovely colours), i found it interested that when i took away the lines layer in photoshop it created a abstract version of the comic. In the same way that i was explaining before with creating abstract versions this way. I think in this case it is quite effective as you can gage the narrative quite well when left with the text...or at least the tone and the surroundings.

The colours are more pronounced and part of the story telling process when it's like this as well i have found.

ABSTRACTED:

I also thought this story would be a good one to experiment with form by making it wordless. I think the tone and atmosphere still come across quite well. The narrative can still be guessed more or less as nothing really is happening in the narrative anyway.

WORDLESS:

EXPERIMENT: COLOUR: Connotations and abstracting to the absolute further...

'In just a glance, colour defines things in a viewer's mind before they have a chance to interpret words or images. It can even change the meaning of an image or a word entirely.' (Marks, 2006: p9)

Still working with the absolute and abstraction, I've started looking into colour. From research and previous knowledge, different colours have many different meanings. Most people have similar connotations attached to certain colours. 

So it's about the context a lot of the time.

Using research in the context of turning my story 'The Cats's Dead', i've used some common associations of certain colours.

Pale blue: calm, uncertain, underlining sadness

Increasing Grey: sorrow, somber

Pale yellow, nerves, anxious, slight worry

The darker blues: sad, loss

Greeny greys: calm sadness with increasing sadness

Light red: tinge of anger

Dark red: strong feeling, sudden, anger moment...more specifically in the case of this story it is the abrupt statement laced with accusation.

The shades of purple: confusion, slight questioning, worry is present.

Turning to grey: nerves turning to sorrow

I really like the idea of doing this to stories. I'm not sure how well the viewers will get the emotions unless you explained the context, due to the number of connotations each colour can have. But it's an interesting idea non-the-less...

COLOUR CONNOTATIONS: A Thought.
What came first our associations with the colour, take bright green, as 'go' because of it's use representing 'go' or us thinking it was 'go' before. It's a circle. What caused it...?
In some cases it's more obvious like green also being 'the environment/environmental', which makes sense as the physical thing is mostly green.
But with feelings and emotional representations it's a bit more to do with psychology. Where did those preconceptions come from...? I'm going to go completely of point if i look further into this. I just thought it was interesting.

Anyway i think abstraction has gone as far as it should for this project's timescale. When you get to the point of just drawing coloured boxes i think it may be time to move on...

EXPERIMENT: Abstraction 3...Rise of the Triangle/Narrative through Symbols

So i've looking looking into symbolism and thought the idea of trying to convey a narrative through abstract shapes, using the codes and conventions of symbols. You can see my sketchbook plan and key for this in a pervious post below.
I used boxes/cells, a common structure device associated with comics to hold the picture together and control the narrative/the way the viewer reads the image and is taken through the story.
This is about assigning connotations, whether pre-existing or not, to shapes and colour to create appropriate mood and feeling that suggests what is going on in the narrative.

Like before, i recorded the process of drawing out the story as i am interested in the idea of that too conveying the narrative in a different, possibly clearer, way.
The narrative plays about before the viewer and they can follow as the story and emotions unfold.

Clearest, simplest design. Even this conveys a narrative.

EXPERIMENT: Abstraction 2...this time it's personal/colour without lines

 So recently when colouring my major project i've been working on layers; one colour and one lines to keep the colours loose. The colour layer always looks interesting and it got me thinking how the lines ground the image and the colour layer without them is abstract in the way that it is harder to read what's going on.

This is a page from my final major project, 4AM. On this page especially, just having the coloured boxes to read you get more of a sense of an atmosphere and time of day from the colours and general shape of what could be (is) landscapes, trees and clouds, without the preconception of knowing the location/item pictured truly looks like.

Structure and Colour

Different Colours: Different Feel

An experiment in how the colours change the mood of a piece.

This one was originally mainly blue but i changed it to wackier colours so the image then too seemed wackier and full of more energy.

 

 In this case the top one (an image taken from my FMP) is the original using 'normal' colouring of the character. I made it blue to make a more solem atmosphere. The colours also blend better together making it more useful to work better as a cell from part of a comic with a colour sceme like this.